Update from Wohls Gård

It’s been 10 days now, since I started my residence in Vols to prepare for our exhibition together with Satu. I feel really welcome here, surrounded by so many kind people supporting us in our doings. We are gathering and curating all the material that we have collected throughout the last half year and between…

Article on Säveltarinat

Kirkkonummen Sanomat has published an article about our exhibition. Link to the original page 4.8.2017 Tarinat soivat sävelin Wohls Gårdissa Luonnonkaunis Wohls Gård toimii upeana miljöönä Sävel­ta­ri­noille, musii­kil­li­selle multi­me­di­a­näyt­te­lylle, jonka avajaisia vietetään osana Kirkko­num­mi­päiviä perjantaina 25.8. klo 18 alkaen. Näyttely on avoinna noin kuukauden ajan 22.9. asti. Loppukesän vehreys tarjoaa tunnelmalliset puitteet kävijöille, joille tarjotaan…

Tone Tales

Our first community art project has been developing for many months, and now finally has reached the point of “visibility” – we are excited to invite you to our exhibition in Kirkkonummi, 25.8-22.9. Follow us also on Facebook to find updates and recaps of the process! There you will also find our events and opening…

Invisible Places (Simon)

“Touch is the parent of our senses as all our senses rely on specialized skins.” “A place is understood through its echo” Juhani Pallasmaa As I have returned home after visiting the conference on Acoustic Ecology, Invisible Places, I can understand how Juhani Pallasmaa, Finnish architect and keynote speaker on the conference, refers to all…

Talking about Missions (Simon)

Considering the ‘listening forum’ and the layout of our upcoming exhibition, especially in context of ‘community art’ it becomes obvious that our work with Coming Visible shall become a participatory experience. But what does it mean for musicians or audio/sound artists to move from making Art, playing or composing, to borrowing their sophisticated ears to…

Largo, poco a poco accelerando subito cacofonia? (Satu)

After walking through 2016 with all its challenges and significant, multiple transitions, I felt the need to cool down already at the very beginning of 2017. Having felt this growing, pressing need to “just be at home” and spend few days away from the “noise and information pollution” my everyday life so graciously provides for…

The presence of everything (Simon)

“Silence is not the absence of something, it is the presence of everything. […] Silence can be carried like embers from a fire. Silence can be found, and silence can find you. Silence can be lost and also recovered. But silence cannot be imagined, although most people think so. To experience the soul-swelling wonder of…

The tuning of the world (Simon)

It’s been extremely stormy tonight and the whole house was vibrating. An amazing feeling that got right through my blanket under my skin and it also gave me some uncomfortable dreams, but I also felt very much alive. IT made me think of the elements and the constant drone of sound they add to our…

The Elements of Music (Satu)

When pondering about the relations and tensions between the core elements of a musical work I got drawn to the reality of my need to perceive a bigger picture, wider understanding – the structure of a piece and the core elements of music. It seems that the elements serve most fully as a team; melody,…

To Wonder and Wander – Creative assignment #1 (Satu)

Assignment #1 Collect 5 different sounds from your community (at least 30 sec each) and combine them in a sound collage. Besides the collected sound you may add two more elements of your choice. My first assignment … is finally here! It was a good process bringing ideas and inspiration. Welcome to visit Kirkkonummi, Wohls…

And there you sing – Creative Assignment #1 (Simon)

Collect 5 different sounds from your community (at least 30 sec each) and combine them in a sound collage. Besides the collected sound you may add two more elements of your choice. Listen with headphones and close you eyes! You crawl into this dark hole and there You sing You sing of hope with no…

Memolodies (Simon)

I must admit, I am a melody person; always have been. Probably even enforced by learning melody instruments and singing from when I was very young. I think it’s a rather a contemplative and aesthetic approach to music driven by sound as a colour and a story, in other words more cognitive, compared to experiencing…